Not surprisingly, with a bone-headed play by the So-Called Liberal Media.
In this case, it was a short piece by Roll Call’s Neda Semnani, who writes the “Heard on the Hill” column. From the snarky headline to the factual inaccuracies, it is one steaming, stinking heap of FAIL.
So late Friday, I emailed her:
I thought I’d fill in some gaps in your reporting on Lisa Simeone. Whether you choose to share this information with your readers or not, I leave to your conscience. Oh, and my blog. Hee.
Lisa Simeone is a FREELANCER. For WAMU (until her unjustified dismissal). And for WDAV, for whom she continues to produce “World of Opera.” Although she did, once, work for NPR, she hasn’t had any direct, formal relationship with the network in quite a while.
Have you ever been a freelancer? Because I don’t think you have. It’s a tough gig. For one thing, overentitled clients generally presume that because they pay you to produce a certain body of work, they assume control over all other aspects of your public life EVEN IF THEY HAVEN’T BOTHERED TO OBTAIN THE CONTRACTUAL RIGHTS TO DO SO.
No, dear. The technical term for that is “slavery,” and it was outlawed by the 13th Amendment. Jim Asendio should have known that. So should you.
If WAMU had wished to obtain that level of control over what Simeone did on her own time, it was perfectly entitled to negotiate for the rights. It failed to do so. I’m not a lawyer, but I’ve freelanced off and on since 1978, and because whether I ate or not depended on my attention to this level of detail, I’m confident I’m accurate when I say that absent other evidence of which I am unaware, not only was WAMU’s action unjustified, but also that Ms. Simeone has grounds to seek, at the least, a buyout of the remainder of her contract, if any, and possibly other damages.
As for WDAV, for which I once worked, and which is operated by my alma mater, it didn’t need any of this explained to it. The station and college looked over the contract with NPR under which they produce “World of Opera” for NPR, decided that they were in full compliance and politely told NPR to take a flying flip at a rolling doughnut.
“If you want to be a hack, don’t flack.” No, Neda; if you want to be a journalist, you need to start calling bullshit on every noncontroversy that the right-wing Wurlitzer tries to gin up into a Category 5 scandal. I’ve been a Red State Republican since 1978, and even I get that. You’re being played, and the fact that NPR management has the political savvy and common sense of dryer lint (see: Williams, Juan) doesn’t let you off the hook. [Note that I am giving her the benefit of the doubt here and presuming that she's just passing along a bug someone put in her ear, rather than presuming that she fabricated a controversy on her own initiative. -- Lex]
Many thanks for your email. I spoke to and used Ms. Simeone’s quote in my original post. I have her on tape, which is what I used. I was quite explicit about her role as a freelancer and a host. I was clear about the information I had as I received it, including stating that she was not fired from her post as host of NPR’s World of Opera in my follow up item.
I have passed your email to my editor.
If you have any further comments and concerns, feel free to email me any time.
For those of you following along at home, the question wasn’t the accuracy of Semnani’s quoting of Simeone. It was the accuracy, or lack thereof, of what she was saying about what Simeone said. So I responded:
… she said, “Well, I work in radio still, but this is totally different.”
Huh. Different, how?
“I’m a freelancer,” she said.
You also allowed Jim Asendio to assume facts not in evidence, as the lawyers say. What he says is true if and only if WAMU’s code of ethics is incorporated directly or by reference into the freelance contract the station has with Ms. Simeone. If it isn’t — and your article offered no evidence that it is — then he doesn’t get to decide after the fact that she’s a journalist and therefore bound by some code of ethics to which she never agreed.
I’m not only questioning your abilities as a journalist, I’m now also questioning your ability to read plain English. Feel free to share that with your editor as well.
Haven’t heard any more from her, but she’s entitled to a weekend, too, so that’s fine. I’ll let you know what else, if anything, transpires, although I’ll be subject to the demands of work, school and parenting and so might not be able to do so in anything approaching real time.